As per newly released data by Future Market Insights (FMI), the museums’ tourism market is estimated at US$ 25.2 billion in 2023. FMI forecasts the worldwide business of museums tourism to thrive at a CAGR of 11.5% from 2023 to 2033. Furthermore, according to this analysis report, the overall market value is projected to reach US$ 74.8 billion by 2033.
| Report Attributes or Data Points | Details |
|---|---|
| Global Museums Tourism Market Valuation in 2022 | US$ 20 billion |
| Estimated Global Market Share in 2023 | US$ 25.2 billion |
| Forecasted Global Market Size by 2033 | US$ 74.8 billion |
| Projected Global Market Growth Rate from 2023 to 2033 | 11.5% CAGR |
| Historical Market Growth Rate from 2018 to 2022 | 4.1% |
Key Points Covered in Museums Tourism Market Survey
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Museum tourism entails learning about unique cultures and events that took place in history. Museums preserve cultural values, exhibits of evolution, and details about nations and communities decades ago. Museum tourism is mainly motivated by cultural and heritage beliefs. The travelers get an opportunity to learn about historical events, bridge the gap between traditional and modern eras, and connect and experience the art and stories of the past. Museums are the most important part of the tourism industry. Museums serve as an effective way of learning; therefore, many tourists visit museums every year to explore and learn.
With a rise in trends of learning about historical events, especially at the educational level, there is a rise in participation from Educational Institutions in Museum Tourism. Educational institutions try to teach good values and morals at a young age by introducing cultural beliefs to their student. As museums are an effective way to learn, the student's participation is more as compared to adult travelers.
In addition, there has been a boom in the new industrial revolution over the past few decades. The possibility of observing industrialization's progression from its origin to the modern day is ideal for research scholars studying industrialization. The museums help students to learn and explore more than books efficiently. Thus, the above factors are expected to increase the participation of educational travelers in museum tourism.
Principal Consultant
The tourist travels for leisure, to discover, to explore, and to get a break from their busy schedule. There has been an unexpected increase in leisure travel post-pandemic. People are taking an active interest in more leisure activities.
Museums are one of the favorite choices of tourists. With the rising trend of heritage and cultural tourism, travelers are more attracted to museums. Also, certain known museums with their unique artifacts attract tourists worldwide. The growing importance of this trend is driving the market.
| Regional Market Comparison | Global Market Share in Percentage |
|---|---|
| North America | 25% |
| Europe | 20% |
Digital Virtual Museums to Grow the Museums Tourism Market in India
India is known for its vast history and its cultural heritage. Every year millions of travelers visit India to learn about Indian culture and Vedas and to study the history of India. Indian museums narrate the origin story and show how humanity has evolved in the past 100 years.
India exhibits a wealth of resources that shed light on its rich culture and heritage of its past. In 2014 the Ministry of Culture Government of India launched the National Portal Digital Repository for Museums of India. In the year 2022, they found the Museums of India mobile app. This allows users to access information virtually on various themes, histories, and artifacts related to the Indian history of 10 leading museums.
| Regional Market Comparison | Global Market Share in Percentage |
|---|---|
| United States | 5% |
| Germany | 4.9% |
| Japan | 5.5% |
| Australia | 6% |
The Recovery of Museum Tourism Majorly Contributing to the United Kingdom Tourism Industry
Tourism is one of the leading industries in the United Kingdom. The United Kingdom has one of the world's most pre-eminent collections and high-profile museums. This attracts tourists from around the world. According to National Museum Director's Council (NDMC), museums and galleries are one of the most popular tourist attractions.
The museums and galleries of the United Kingdom contribute a massive share to the tourism industry. In 2021, the Natural History Museum had 1.57 million visitors and was the most visited museum, followed by British Museum with 1.32 million, Tate Modern with 1.15 million, and Science Museum with 955k visitors. Region-wise, Scotland had 45% more visitors in 2021 as compared to the year 2020.
| Regional Markets | CAGR (2023 to 2033) |
|---|---|
| United Kingdom | 4.7% |
| China | 5.3% |
| India | 4% |
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History Museums Are the Most Preferred Museum for Its Chronological Collections
According to the analysis, in terms of type, history museums are mostly preferred by the tourist. Historical museums offer a wide variety of historical collections, which are presented in chronological order. The objects collected and offered could be artifacts, documents, archeological findings, etc. It helps a tourist to learn about specific historical aspects. Besides this, art museums and science museums are equally preferred as much as history museums.
| Category | By Museum Type |
|---|---|
| Top Segment | History Museum |
| Market Share in Percentage | 24% |
| Category | By Tourist Type |
|---|---|
| Top Segment | Domestic |
| Market Share in Percentage | 55% |
Tourists from All the Age Group May Increase Significantly
In terms of age group, tourists in all age groups are expected to rise since this demographic is more inclined to explore and discover certain learning as per their interest. The museum is a fun and effective way of learning. People from different age groups like different types of museums as per their scope of knowledge or for leisure or to explore something beyond their limitations. Apart from that, the government is making efforts to provide free-of-charge entry for local citizens and developing applications for virtual museums for the convenience of tourists.
For example, The British Museum in London has made free entry for tourists to visit the Museum. The fee is only chargeable for exhibitions and events. A tourist need to book tickets in advance on the online website of The British Museum. Likewise, there are various other museums that don't cost money for museum visits.
Online Booking is Generally More Preferred by The Tourist
In terms of booking channels, the online booking channel is more preferred than in-person booking. As the world is upgrading and digitizing, museums websites are also upgrading. Travelers travel to museums across the globe, and therefore for their convenience and ease, many museums have allowed and offered online booking on their websites. At the same time, many museums like The British Museums and The National History Museums inform travelers to book tickets in advance on their websites. The hazel-free process helps travelers to plan a visit efficiently.
Leading players operating around the globe are focusing on expanding new verticals to expand their business.
For instance:
The Art Institute of Chicago is one of the top museums in the world. It is famous for Edward Hopper's Nighthawks and Grant Wood's American Gothic. In 2009, the Terzo Piano restaurant was launched at the Art Institute of Chicago, where tourists can see the Chicago Skyline and Millennium Park.
Recent Developments by the Museums Tourism Service Providers
| Attribute | Details |
|---|---|
| Forecast Period | 2023 to 2033 |
| Historical Data Available for | 2018 to 2022 |
| Market Analysis | US$ million or US$ billion for Value |
| Key Regions Covered | North America, Latin America, Europe, East Asia, South Asia, Oceania & The Middle East and Africa |
| Key Countries Covered | United States, Canada, Brazil, Mexico, Argentina, Colombia, Germany, United Kingdom, France, Italy, Russia, South Africa, Turkey, UAE, Egypt, Jordan, China, Japan, South Korea, India, Thailand, Malaysia, Indonesia, Philippines, Cambodia, Vietnam Australia & New Zealand. |
| Key Segments Covered | Museum Type, Booking Channel, Tour Type, Consumer Orientation, Age Group, and Region. |
| Key Companies Profiled |
|
| Report Coverage | Market Forecast, Company Share Analysis, Competition Intelligence, DROT Analysis, Market Dynamics and Challenges, and Strategic Growth Initiatives |
| Customization & Pricing | Available upon Request |
The market is expected to flourish at a CAGR of 11.5%.
25% of market share is expected in North America.
Increasing interest in culture & heritage, and unique artifacts.
From 2018 to 2022, the market registered a CAGR of 4.1%.
The market is expected to reach US$ 74.8 billion by 2033.
1. Executive Summary
1.1. Global Market Outlook
1.2. Demand-side Trends
1.3. Supply-side Trends
1.4. Technology Roadmap Analysis
1.5. Analysis and Recommendations
2. Market Overview
2.1. Market Coverage / Taxonomy
2.2. Market Definition / Scope / Limitations
3. Market Background
3.1. Market Dynamics
3.1.1. Drivers
3.1.2. Restraints
3.1.3. Opportunity
3.1.4. Trends
3.2. Scenario Forecast
3.2.1. Demand in Optimistic Scenario
3.2.2. Demand in Likely Scenario
3.2.3. Demand in Conservative Scenario
3.3. Opportunity Map Analysis
3.4. Investment Feasibility Matrix
3.5. PESTLE and Porter’s Analysis
3.6. Regulatory Landscape
3.6.1. By Key Regions
3.6.2. By Key Countries
3.7. Regional Parent Market Outlook
4. Global Market Analysis 2018 to 2022 and Forecast, 2023 to 2033
4.1. Historical Market Size Value (US$ Million) Analysis, 2018 to 2022
4.2. Current and Future Market Size Value (US$ Million) Projections, 2023 to 2033
4.2.1. Y-o-Y Growth Trend Analysis
4.2.2. Absolute $ Opportunity Analysis
5. Global Market Analysis 2018 to 2022 and Forecast 2023 to 2033, By Museum Type
5.1. Introduction / Key Findings
5.2. Historical Market Size Value (US$ Million) Analysis By Museum Type, 2018 to 2022
5.3. Current and Future Market Size Value (US$ Million) Analysis and Forecast By Museum Type, 2023 to 2033
5.3.1. Art Museum
5.3.2. History Museum
5.3.3. National Museum
5.3.4. Science Museum
5.3.5. Others
5.4. Y-o-Y Growth Trend Analysis By Museum Type, 2018 to 2022
5.5. Absolute $ Opportunity Analysis By Museum Type, 2023 to 2033
6. Global Market Analysis 2018 to 2022 and Forecast 2023 to 2033, By Booking Type
6.1. Introduction / Key Findings
6.2. Historical Market Size Value (US$ Million) Analysis By Booking Type, 2018 to 2022
6.3. Current and Future Market Size Value (US$ Million) Analysis and Forecast By Booking Type, 2023 to 2033
6.3.1. Online Booking
6.3.2. In Person Booking
6.4. Y-o-Y Growth Trend Analysis By Booking Type, 2018 to 2022
6.5. Absolute $ Opportunity Analysis By Booking Type, 2023 to 2033
7. Global Market Analysis 2018 to 2022 and Forecast 2023 to 2033, By Tourist Type
7.1. Introduction / Key Findings
7.2. Historical Market Size Value (US$ Million) Analysis by Tourist Type, 2018 to 2022
7.3. Current and Future Market Size Value (US$ Million) Analysis and Forecast by Tourist Type, 2023 to 2033
7.3.1. Domestic
7.3.2. International
7.4. Y-o-Y Growth Trend Analysis by Tourist Type, 2018 to 2022
7.5. Absolute $ Opportunity Analysis by Tourist Type, 2023 to 2033
8. Global Market Analysis 2018 to 2022 and Forecast 2023 to 2033, By Tour Type
8.1. Introduction / Key Findings
8.2. Historical Market Size Value (US$ Million) Analysis By Tour Type, 2018 to 2022
8.3. Current and Future Market Size Value (US$ Million) Analysis and Forecast By Tour Type, 2023 to 2033
8.3.1. Independent Traveler
8.3.2. Group Trip
8.3.3. Family trip
8.3.4. Student trip
8.4. Y-o-Y Growth Trend Analysis By Tour Type, 2018 to 2022
8.5. Absolute $ Opportunity Analysis By Tour Type, 2023 to 2033
9. Global Market Analysis 2018 to 2022 and Forecast 2023 to 2033, By Consumer Orientation
9.1. Introduction / Key Findings
9.2. Historical Market Size Value (US$ Million) Analysis By Consumer Orientation, 2018 to 2022
9.3. Current and Future Market Size Value (US$ Million) Analysis and Forecast By Consumer Orientation, 2023 to 2033
9.3.1. Men
9.3.2. Women
9.3.3. Children
9.4. Y-o-Y Growth Trend Analysis By Consumer Orientation, 2018 to 2022
9.5. Absolute $ Opportunity Analysis By Consumer Orientation, 2023 to 2033
10. Global Market Analysis 2018 to 2022 and Forecast 2023 to 2033, By Age Group
10.1. Introduction / Key Findings
10.2. Historical Market Size Value (US$ Million) Analysis By Age Group, 2018 to 2022
10.3. Current and Future Market Size Value (US$ Million) Analysis and Forecast By Age Group, 2023 to 2033
10.3.1. 15-25 Years
10.3.2. 26-35 Years
10.3.3. 36-45 Years
10.3.4. 46-55 Years
10.3.5. 66-75 Years
10.4. Y-o-Y Growth Trend Analysis By Age Group, 2018 to 2022
10.5. Absolute $ Opportunity Analysis By Age Group, 2023 to 2033
11. Global Market Analysis 2018 to 2022 and Forecast 2023 to 2033, By Region
11.1. Introduction
11.2. Historical Market Size Value (US$ Million) Analysis By Region, 2018 to 2022
11.3. Current Market Size Value (US$ Million) Analysis and Forecast By Region, 2023 to 2033
11.3.1. North America
11.3.2. Latin America
11.3.3. Western Europe
11.3.4. Eastern Europe
11.3.5. South Asia and Pacific
11.3.6. East Asia
11.3.7. Middle East and Africa
11.4. Market Attractiveness Analysis By Region
12. North America Market Analysis 2018 to 2022 and Forecast 2023 to 2033, By Country
12.1. Historical Market Size Value (US$ Million) Trend Analysis By Market Taxonomy, 2018 to 2022
12.2. Market Size Value (US$ Million) Forecast By Market Taxonomy, 2023 to 2033
12.2.1. By Country
12.2.1.1. The USA
12.2.1.2. Canada
12.2.2. By Museum Type
12.2.3. By Booking Type
12.2.4. By Tourist Type
12.2.5. By Tour Type
12.2.6. By Consumer Orientation
12.2.7. By Age Group
12.3. Market Attractiveness Analysis
12.3.1. By Country
12.3.2. By Museum Type
12.3.3. By Booking Type
12.3.4. By Tourist Type
12.3.5. By Tour Type
12.3.6. By Consumer Orientation
12.3.7. By Age Group
12.4. Key Takeaways
13. Latin America Market Analysis 2018 to 2022 and Forecast 2023 to 2033, By Country
13.1. Historical Market Size Value (US$ Million) Trend Analysis By Market Taxonomy, 2018 to 2022
13.2. Market Size Value (US$ Million) Forecast By Market Taxonomy, 2023 to 2033
13.2.1. By Country
13.2.1.1. Brazil
13.2.1.2. Mexico
13.2.1.3. Rest of Latin America
13.2.2. By Museum Type
13.2.3. By Booking Type
13.2.4. By Tourist Type
13.2.5. By Tour Type
13.2.6. By Consumer Orientation
13.2.7. By Age Group
13.3. Market Attractiveness Analysis
13.3.1. By Country
13.3.2. By Museum Type
13.3.3. By Booking Type
13.3.4. By Tourist Type
13.3.5. By Tour Type
13.3.6. By Consumer Orientation
13.3.7. By Age Group
13.4. Key Takeaways
14. Western Europe Market Analysis 2018 to 2022 and Forecast 2023 to 2033, By Country
14.1. Historical Market Size Value (US$ Million) Trend Analysis By Market Taxonomy, 2018 to 2022
14.2. Market Size Value (US$ Million) Forecast By Market Taxonomy, 2023 to 2033
14.2.1. By Country
14.2.1.1. Germany
14.2.1.2. United Kingdom
14.2.1.3. France
14.2.1.4. Spain
14.2.1.5. Italy
14.2.1.6. Rest of Western Europe
14.2.2. By Museum Type
14.2.3. By Booking Type
14.2.4. By Tourist Type
14.2.5. By Tour Type
14.2.6. By Consumer Orientation
14.2.7. By Age Group
14.3. Market Attractiveness Analysis
14.3.1. By Country
14.3.2. By Museum Type
14.3.3. By Booking Type
14.3.4. By Tourist Type
14.3.5. By Tour Type
14.3.6. By Consumer Orientation
14.3.7. By Age Group
14.4. Key Takeaways
15. Eastern Europe Market Analysis 2018 to 2022 and Forecast 2023 to 2033, By Country
15.1. Historical Market Size Value (US$ Million) Trend Analysis By Market Taxonomy, 2018 to 2022
15.2. Market Size Value (US$ Million) Forecast By Market Taxonomy, 2023 to 2033
15.2.1. By Country
15.2.1.1. Poland
15.2.1.2. Russia
15.2.1.3. Czech Republic
15.2.1.4. Romania
15.2.1.5. Rest of Eastern Europe
15.2.2. By Museum Type
15.2.3. By Booking Type
15.2.4. By Tourist Type
15.2.5. By Tour Type
15.2.6. By Consumer Orientation
15.2.7. By Age Group
15.3. Market Attractiveness Analysis
15.3.1. By Country
15.3.2. By Museum Type
15.3.3. By Booking Type
15.3.4. By Tourist Type
15.3.5. By Tour Type
15.3.6. By Consumer Orientation
15.3.7. By Age Group
15.4. Key Takeaways
16. South Asia and Pacific Market Analysis 2018 to 2022 and Forecast 2023 to 2033, By Country
16.1. Historical Market Size Value (US$ Million) Trend Analysis By Market Taxonomy, 2018 to 2022
16.2. Market Size Value (US$ Million) Forecast By Market Taxonomy, 2023 to 2033
16.2.1. By Country
16.2.1.1. India
16.2.1.2. Bangladesh
16.2.1.3. Australia
16.2.1.4. New Zealand
16.2.1.5. Rest of South Asia and Pacific
16.2.2. By Museum Type
16.2.3. By Booking Type
16.2.4. By Tourist Type
16.2.5. By Tour Type
16.2.6. By Consumer Orientation
16.2.7. By Age Group
16.3. Market Attractiveness Analysis
16.3.1. By Country
16.3.2. By Museum Type
16.3.3. By Booking Type
16.3.4. By Tourist Type
16.3.5. By Tour Type
16.3.6. By Consumer Orientation
16.3.7. By Age Group
16.4. Key Takeaways
17. East Asia Market Analysis 2018 to 2022 and Forecast 2023 to 2033, By Country
17.1. Historical Market Size Value (US$ Million) Trend Analysis By Market Taxonomy, 2018 to 2022
17.2. Market Size Value (US$ Million) Forecast By Market Taxonomy, 2023 to 2033
17.2.1. By Country
17.2.1.1. China
17.2.1.2. Japan
17.2.1.3. South Korea
17.2.2. By Museum Type
17.2.3. By Booking Type
17.2.4. By Tourist Type
17.2.5. By Tour Type
17.2.6. By Consumer Orientation
17.2.7. By Age Group
17.3. Market Attractiveness Analysis
17.3.1. By Country
17.3.2. By Museum Type
17.3.3. By Booking Type
17.3.4. By Tourist Type
17.3.5. By Tour Type
17.3.6. By Consumer Orientation
17.3.7. By Age Group
17.4. Key Takeaways
18. Middle East and Africa Market Analysis 2018 to 2022 and Forecast 2023 to 2033, By Country
18.1. Historical Market Size Value (US$ Million) Trend Analysis By Market Taxonomy, 2018 to 2022
18.2. Market Size Value (US$ Million) Forecast By Market Taxonomy, 2023 to 2033
18.2.1. By Country
18.2.1.1. GCC Countries
18.2.1.2. South Africa
18.2.1.3. Israel
18.2.1.4. Rest of MEA
18.2.2. By Museum Type
18.2.3. By Booking Type
18.2.4. By Tourist Type
18.2.5. By Tour Type
18.2.6. By Consumer Orientation
18.2.7. By Age Group
18.3. Market Attractiveness Analysis
18.3.1. By Country
18.3.2. By Museum Type
18.3.3. By Booking Type
18.3.4. By Tourist Type
18.3.5. By Tour Type
18.3.6. By Consumer Orientation
18.3.7. By Age Group
18.4. Key Takeaways
19. Key Countries Market Analysis
19.1. USA
19.1.1. Pricing Analysis
19.1.2. Market Share Analysis, 2022
19.1.2.1. By Museum Type
19.1.2.2. By Booking Type
19.1.2.3. By Tourist Type
19.1.2.4. By Tour Type
19.1.2.5. By Consumer Orientation
19.1.2.6. By Age Group
19.2. Canada
19.2.1. Pricing Analysis
19.2.2. Market Share Analysis, 2022
19.2.2.1. By Museum Type
19.2.2.2. By Booking Type
19.2.2.3. By Tourist Type
19.2.2.4. By Tour Type
19.2.2.5. By Consumer Orientation
19.2.2.6. By Age Group
19.3. Brazil
19.3.1. Pricing Analysis
19.3.2. Market Share Analysis, 2022
19.3.2.1. By Museum Type
19.3.2.2. By Booking Type
19.3.2.3. By Tourist Type
19.3.2.4. By Tour Type
19.3.2.5. By Consumer Orientation
19.3.2.6. By Age Group
19.4. Mexico
19.4.1. Pricing Analysis
19.4.2. Market Share Analysis, 2022
19.4.2.1. By Museum Type
19.4.2.2. By Booking Type
19.4.2.3. By Tourist Type
19.4.2.4. By Tour Type
19.4.2.5. By Consumer Orientation
19.4.2.6. By Age Group
19.5. Germany
19.5.1. Pricing Analysis
19.5.2. Market Share Analysis, 2022
19.5.2.1. By Museum Type
19.5.2.2. By Booking Type
19.5.2.3. By Tourist Type
19.5.2.4. By Tour Type
19.5.2.5. By Consumer Orientation
19.5.2.6. By Age Group
19.6. United Kingdom
19.6.1. Pricing Analysis
19.6.2. Market Share Analysis, 2022
19.6.2.1. By Museum Type
19.6.2.2. By Booking Type
19.6.2.3. By Tourist Type
19.6.2.4. By Tour Type
19.6.2.5. By Consumer Orientation
19.6.2.6. By Age Group
19.7. France
19.7.1. Pricing Analysis
19.7.2. Market Share Analysis, 2022
19.7.2.1. By Museum Type
19.7.2.2. By Booking Type
19.7.2.3. By Tourist Type
19.7.2.4. By Tour Type
19.7.2.5. By Consumer Orientation
19.7.2.6. By Age Group
19.8. Spain
19.8.1. Pricing Analysis
19.8.2. Market Share Analysis, 2022
19.8.2.1. By Museum Type
19.8.2.2. By Booking Type
19.8.2.3. By Tourist Type
19.8.2.4. By Tour Type
19.8.2.5. By Consumer Orientation
19.8.2.6. By Age Group
19.9. Italy
19.9.1. Pricing Analysis
19.9.2. Market Share Analysis, 2022
19.9.2.1. By Museum Type
19.9.2.2. By Booking Type
19.9.2.3. By Tourist Type
19.9.2.4. By Tour Type
19.9.2.5. By Consumer Orientation
19.9.2.6. By Age Group
19.10. Poland
19.10.1. Pricing Analysis
19.10.2. Market Share Analysis, 2022
19.10.2.1. By Museum Type
19.10.2.2. By Booking Type
19.10.2.3. By Tourist Type
19.10.2.4. By Tour Type
19.10.2.5. By Consumer Orientation
19.10.2.6. By Age Group
19.11. Russia
19.11.1. Pricing Analysis
19.11.2. Market Share Analysis, 2022
19.11.2.1. By Museum Type
19.11.2.2. By Booking Type
19.11.2.3. By Tourist Type
19.11.2.4. By Tour Type
19.11.2.5. By Consumer Orientation
19.11.2.6. By Age Group
19.12. Czech Republic
19.12.1. Pricing Analysis
19.12.2. Market Share Analysis, 2022
19.12.2.1. By Museum Type
19.12.2.2. By Booking Type
19.12.2.3. By Tourist Type
19.12.2.4. By Tour Type
19.12.2.5. By Consumer Orientation
19.12.2.6. By Age Group
19.13. Romania
19.13.1. Pricing Analysis
19.13.2. Market Share Analysis, 2022
19.13.2.1. By Museum Type
19.13.2.2. By Booking Type
19.13.2.3. By Tourist Type
19.13.2.4. By Tour Type
19.13.2.5. By Consumer Orientation
19.13.2.6. By Age Group
19.14. India
19.14.1. Pricing Analysis
19.14.2. Market Share Analysis, 2022
19.14.2.1. By Museum Type
19.14.2.2. By Booking Type
19.14.2.3. By Tourist Type
19.14.2.4. By Tour Type
19.14.2.5. By Consumer Orientation
19.14.2.6. By Age Group
19.15. Bangladesh
19.15.1. Pricing Analysis
19.15.2. Market Share Analysis, 2022
19.15.2.1. By Museum Type
19.15.2.2. By Booking Type
19.15.2.3. By Tourist Type
19.15.2.4. By Tour Type
19.15.2.5. By Consumer Orientation
19.15.2.6. By Age Group
19.16. Australia
19.16.1. Pricing Analysis
19.16.2. Market Share Analysis, 2022
19.16.2.1. By Museum Type
19.16.2.2. By Booking Type
19.16.2.3. By Tourist Type
19.16.2.4. By Tour Type
19.16.2.5. By Consumer Orientation
19.16.2.6. By Age Group
19.17. New Zealand
19.17.1. Pricing Analysis
19.17.2. Market Share Analysis, 2022
19.17.2.1. By Museum Type
19.17.2.2. By Booking Type
19.17.2.3. By Tourist Type
19.17.2.4. By Tour Type
19.17.2.5. By Consumer Orientation
19.17.2.6. By Age Group
19.18. China
19.18.1. Pricing Analysis
19.18.2. Market Share Analysis, 2022
19.18.2.1. By Museum Type
19.18.2.2. By Booking Type
19.18.2.3. By Tourist Type
19.18.2.4. By Tour Type
19.18.2.5. By Consumer Orientation
19.18.2.6. By Age Group
19.19. Japan
19.19.1. Pricing Analysis
19.19.2. Market Share Analysis, 2022
19.19.2.1. By Museum Type
19.19.2.2. By Booking Type
19.19.2.3. By Tourist Type
19.19.2.4. By Tour Type
19.19.2.5. By Consumer Orientation
19.19.2.6. By Age Group
19.20. South Korea
19.20.1. Pricing Analysis
19.20.2. Market Share Analysis, 2022
19.20.2.1. By Museum Type
19.20.2.2. By Booking Type
19.20.2.3. By Tourist Type
19.20.2.4. By Tour Type
19.20.2.5. By Consumer Orientation
19.20.2.6. By Age Group
19.21. GCC Countries
19.21.1. Pricing Analysis
19.21.2. Market Share Analysis, 2022
19.21.2.1. By Museum Type
19.21.2.2. By Booking Type
19.21.2.3. By Tourist Type
19.21.2.4. By Tour Type
19.21.2.5. By Consumer Orientation
19.21.2.6. By Age Group
19.22. South Africa
19.22.1. Pricing Analysis
19.22.2. Market Share Analysis, 2022
19.22.2.1. By Museum Type
19.22.2.2. By Booking Type
19.22.2.3. By Tourist Type
19.22.2.4. By Tour Type
19.22.2.5. By Consumer Orientation
19.22.2.6. By Age Group
19.23. Israel
19.23.1. Pricing Analysis
19.23.2. Market Share Analysis, 2022
19.23.2.1. By Museum Type
19.23.2.2. By Booking Type
19.23.2.3. By Tourist Type
19.23.2.4. By Tour Type
19.23.2.5. By Consumer Orientation
19.23.2.6. By Age Group
20. Market Structure Analysis
20.1. Competition Dashboard
20.2. Competition Benchmarking
20.3. Market Share Analysis of Top Players
20.3.1. By Regional
20.3.2. By Museum Type
20.3.3. By Booking Type
20.3.4. By Tourist Type
20.3.5. By Tour Type
20.3.6. By Consumer Orientation
20.3.7. By Age Group
21. Competition Analysis
21.1. Competition Deep Dive
21.1.1. Louvre
21.1.1.1. Overview
21.1.1.2. Product Portfolio
21.1.1.3. Profitability by Market Segments
21.1.1.4. Sales Footprint
21.1.1.5. Strategy Overview
21.1.1.5.1. Marketing Strategy
21.1.2. National Museum of China
21.1.2.1. Overview
21.1.2.2. Product Portfolio
21.1.2.3. Profitability by Market Segments
21.1.2.4. Sales Footprint
21.1.2.5. Strategy Overview
21.1.2.5.1. Marketing Strategy
21.1.3. Russian Museum
21.1.3.1. Overview
21.1.3.2. Product Portfolio
21.1.3.3. Profitability by Market Segments
21.1.3.4. Sales Footprint
21.1.3.5. Strategy Overview
21.1.3.5.1. Marketing Strategy
21.1.4. Multimedia Art Museum
21.1.4.1. Overview
21.1.4.2. Product Portfolio
21.1.4.3. Profitability by Market Segments
21.1.4.4. Sales Footprint
21.1.4.5. Strategy Overview
21.1.4.5.1. Marketing Strategy
21.1.5. Metropolitan Museum of Art
21.1.5.1. Overview
21.1.5.2. Product Portfolio
21.1.5.3. Profitability by Market Segments
21.1.5.4. Sales Footprint
21.1.5.5. Strategy Overview
21.1.5.5.1. Marketing Strategy
21.1.6. Galleria degli Uffizi
21.1.6.1. Overview
21.1.6.2. Product Portfolio
21.1.6.3. Profitability by Market Segments
21.1.6.4. Sales Footprint
21.1.6.5. Strategy Overview
21.1.6.5.1. Marketing Strategy
21.1.7. National Gallery of Art
21.1.7.1. Overview
21.1.7.2. Product Portfolio
21.1.7.3. Profitability by Market Segments
21.1.7.4. Sales Footprint
21.1.7.5. Strategy Overview
21.1.7.5.1. Marketing Strategy
21.1.8. State Hermitage Museum
21.1.8.1. Overview
21.1.8.2. Product Portfolio
21.1.8.3. Profitability by Market Segments
21.1.8.4. Sales Footprint
21.1.8.5. Strategy Overview
21.1.8.5.1. Marketing Strategy
21.1.9. Museo Reina Sofía
21.1.9.1. Overview
21.1.9.2. Product Portfolio
21.1.9.3. Profitability by Market Segments
21.1.9.4. Sales Footprint
21.1.9.5. Strategy Overview
21.1.9.5.1. Marketing Strategy
21.1.10. Vatican Museums
21.1.10.1. Overview
21.1.10.2. Product Portfolio
21.1.10.3. Profitability by Market Segments
21.1.10.4. Sales Footprint
21.1.10.5. Strategy Overview
21.1.10.5.1. Marketing Strategy
21.1.11. Tretyakov Gallery
21.1.11.1. Overview
21.1.11.2. Product Portfolio
21.1.11.3. Profitability by Market Segments
21.1.11.4. Sales Footprint
21.1.11.5. Strategy Overview
21.1.11.5.1. Marketing Strategy
21.1.12. Centre Pompidou
21.1.12.1. Overview
21.1.12.2. Product Portfolio
21.1.12.3. Profitability by Market Segments
21.1.12.4. Sales Footprint
21.1.12.5. Strategy Overview
21.1.12.5.1. Marketing Strategy
21.1.13. Natural History Museum
21.1.13.1. Overview
21.1.13.2. Product Portfolio
21.1.13.3. Profitability by Market Segments
21.1.13.4. Sales Footprint
21.1.13.5. Strategy Overview
21.1.13.5.1. Marketing Strategy
21.1.14. Tate Modern
21.1.14.1. Overview
21.1.14.2. Product Portfolio
21.1.14.3. Profitability by Market Segments
21.1.14.4. Sales Footprint
21.1.14.5. Strategy Overview
21.1.14.5.1. Marketing Strategy
21.1.15. National Museum of Natural History
21.1.15.1. Overview
21.1.15.2. Product Portfolio
21.1.15.3. Profitability by Market Segments
21.1.15.4. Sales Footprint
21.1.15.5. Strategy Overview
21.1.15.5.1. Marketing Strategy
21.1.16. National Air and Space Museum
21.1.16.1. Overview
21.1.16.2. Product Portfolio
21.1.16.3. Profitability by Market Segments
21.1.16.4. Sales Footprint
21.1.16.5. Strategy Overview
21.1.16.5.1. Marketing Strategy
21.1.17. Shanghai Museum
21.1.17.1. Overview
21.1.17.2. Product Portfolio
21.1.17.3. Profitability by Market Segments
21.1.17.4. Sales Footprint
21.1.17.5. Strategy Overview
21.1.17.5.1. Marketing Strategy
21.1.18. London Science Museum
21.1.18.1. Overview
21.1.18.2. Product Portfolio
21.1.18.3. Profitability by Market Segments
21.1.18.4. Sales Footprint
21.1.18.5. Strategy Overview
21.1.18.5.1. Marketing Strategy
22. Assumptions & Acronyms Used
23. Research Methodology
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